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K.; New York: Manchester University Press: Distributed exclusively in the USA by St. "The Erotic Female Friendship Film: Lesbianism in the Mainstream." In: In the company of women : contemporary female friendship films / Karen Hollinger. "Pee Wee Herman: The Homosexual Subtext." In: Out in Culture: Gay, Lesbian, and Queer Essays on Popular Culture / edited by Corey K. But you don't have to be gay to find that a good thing." (motion pictures depicting a gay lifestyle)(Brief Article) Time v152, n8 (August 24, 1998):73 (2 pages). Drawing on 15 in-depth interviews conducted in Western Canada in 1996, the results clearly demonstrate the existence of active lesbian viewers, whose interpretations of popular film are intimately informed by lesbian-specific life experiences and cultural competencies.

"Objects of our affection: gay films are moving into the mainstream. In its examination of the relationship between popular film and lesbian viewing practices, this study attempts to more fully elucidate current ideas around audience engagement and forms of cultural reception.

(includes related information on four films with a gay theme)." Time v147, n11 (March 11, 1996):66 (3 pages). 335 Author's Abstract: COPYRIGHT 2000 Haworth Press, Inc.

""A treatise on decay" : liberal and leftist critics and their queer readings of Depression-era U. film." In: Looking past the screen : case studies in American film history and method / edited by Jon Lewis and Eric Smoodin. "Screening Lesbians." In: The New Lesbian Studies: Into the Twenty-First Century / edited by Bonnie Zimmerman and Toni A. He goes on to explore viewers' behavior inside the porno-arcade/theater, arguing that the exhibition of gay pornography makes possible a space in which dominant forms of sexual subjectivity can be (re)produced, challenged, countered, and violated." [Art Abstracts] " The Final Frontier: Two New Movies ["Birdcage" and "Celluloid Closet"] Pose the Question, Can't Hollywood Treat Gays Like Normal People?

Rutgers depth of field series."Dosti and Tamanna: male-male love, difference, and normativity in Hindi cinema." In: Everyday life in South Asia / edited by Diane P. In: Queer Looks: Perspectives on Lesbian and Gay Film and Video /editors Martha Gever, Pratibha Parmar, John Greyson. New York: Routledge, 1993."I sleep behind you": male homosociality and homoeroticism in Indian parallel cinema." In: Queering India: same-sex love and eroticism in Indian culture and society / edited by Ruth Vanita. Minneapolis: University of Minnesota Press, c1994."On Not Being Lady Macbeth: Some (Troubled) Thoughts on Lesbian Spectatorship." In: Immortal, Invisible: Lesbians and the Moving Image/ edited by Tamsin. "National troubles : male matters in Israeli gay cinema." In: Brother keepers : new perspectives on Jewish masculinity / edited by Harry Brod, Shawn Israel Zevit. This paper draws on feminist and queer theory to examine the liabilities of relying on these familiar situation comedy conventions, demonstrating how the program equates gayness with a lack of masculinity, relies on sexual tension and delayed consummation, infantilizes the program's most potentially subversive characters, and emphasisizes characters' interpersonal relationships rather than the characters' connection to the larger social world.

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