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Spielberg says of her audition, “She was accessible at a glance. And she couldn’t hit a wrong note, because she found a way to be herself on-camera. The magic hadn’t walked into the room—until Lena did.”A few days before Lena is scheduled to speak at the Essence Black Women in Hollywood ceremony, where she is being honored, our talk turns to her work as an activist and in the Time’s Up movement. She tells them to come out: ‘Come out, wherever you are. (Ansari stated that their sexual activity was consensual.) Lena gets quieter, more thoughtful. educate ourselves about what consent is—what it looks like, what it feels like, what it sounds like.

As she reads out loud to me from her upcoming speech, her voice is a mixture of immense excitement and barely concealed fear: “Being born a gay Black female is not a revolutionary act. Don’t be afraid.’ It’s interesting how things you hear as a kid take on a whole new meaning when you are an adult.” The day after her speech, pictures of her in a beautifully tailored gold paisley suit flood social media. And I’m just trying to help them learn how to be great writers; and for those that have become really good writers, I help them get representation; and those that have representation, I want to help get them jobs. “At the end of the day,” Lena says, “what I would hope comes out of this is that we as a society . I think there are both men and women who are still trying to figure it out.

Lena’s family, like mine, was similar to the fictional Cosbys—not in wealth, by any means, but in the way the young people on the show were expected to respect their elders.

Separated by more than 20 years, we were both raised by our mothers and grandmothers. Just don’t repeat what you hear and don’t do what you see.”When Lena was 12, her mother moved her and her sister to the suburbs: Evanston, just north of Chicago.

Lena, meanwhile, found her mentors on the screen in the comedy writing of Susan Fales-Hill (). Lena tells me she came to Hollywood in 2006 with no family, no friends, and no money. “It’s a good time, but it’s not the first good time we’ve had, and previous good times have not become .” She reminds me that a similar moment existed in the 90s, thanks to filmmakers like Prince-Bythewood and Julie Dash, the first black woman to have a theatrical release, with her groundbreaking film, .


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