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Stylistically related to Greco-Roman painting, it was created for a typically Egyptian purpose: inclusion in the funerary trappings of mummies.
The paintings, many on lime wood or on linen shrouds, use both Egyptian and Greco-Roman techniques, and often a combination of the two.
And the strongly naturalistic images show complexions ranging from dark with African features to the palest of white, reflecting the melting pot that was the Egypt of that period.
While the clothing, hair and jewelry imitate the fashions of imperial Rome, the mummification and accompanying views of the afterlife are Egyptian, and there are repeated references to Egyptian gods.
Also questioned is his theory that, for a few years, these mummies were kept above ground.